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  1. Emily Woodruff. Catherine Glesca Marshall (September 19, 1906 – August 21, 1987) was an American actress and theatrical benefactor who was known primarily as the most enduring lover of Alla Nazimova, silent screen actress and a legend of her time. Glesca met Nazimova when both were cast in a production at the Civic Repertory Theater.

    • Catherine Glesca Marshall, September 19, 1906
    • Alla Nazimova, Emily Woodruff
    • August 21, 1987 (aged 80)
  2. Nazimova lived together with Glesca Marshall from 1929 until Nazimova's death in 1945.: 289 Friends and relations. Edith Luckett, a stage actress and the mother of future U.S. First Lady Nancy Reagan, was a friend of Nazimova, having acted with her onstage. Edith married Kenneth Seymour Robbins, and following the birth of their daughter Nancy ...

  3. 24. Juni 2013 · 1944: Alla Nazimova with Glesca Marshall and Nancy Davis. That’s Alla Nazimova, age 65, in the center, her long time companion Glesca Marshall to the left and Nazimova’s goddaughter Nancy Davis, age 23, future first lady of the United States, standing at right.

  4. 12. Jan. 2021 · Glesca Marshall Alla Nazimova returned to the Garden of Allah in 1941, 11 years after she’d moved to New York to resume her Broadway career. She had a good run during this third act of her professional life – act one was her years on the stage; the second act was her silent-film career.

  5. At the Rep, Alla met a 19-year-old Nazimova superfan named Glesca Marshall who became her most enduring lover and close companion for life.

  6. 2. Aug. 2023 · While performing at the Repertory, Alla also struck gold in her personal life when she met a then nineteen-year-old superfan named Glesca Marshall, who would become her longest-lasting lover and lifetime companion.

  7. Biographies of Nazimova—including Nazimova’s own unfinished and unpublished memoir, now housed in the Springer Opera House’s Glesca Marshall Library in Columbus, Georgia—have a tendency to trace her lesbian self-styling and her public disavowal back to a traumatic childhood and the archetypal immigrant’s instinct for survival through ...