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June Mathis. June Mathis (born June Beulah Hughes, [1] January 30, 1887 – July 26, 1927) was an American screenwriter. Mathis was the first female executive for Metro/MGM and at only 35, she was the highest paid executive in Hollywood. [2] In 1926 she was voted the third most influential woman in Hollywood, behind Mary Pickford and Norma ...
Leben. June Mathis, geboren in eine Theaterfamilie aus Colorado, war bereits vor Ausbruch des Ersten Weltkrieges Bühnenautorin. Regisseur Edwin Carewe verpflichtete sie 1918 für die Metro Pictures Corporation. Sie verfasste zuerst Dramen mit Alla Nazimova in der Hauptrolle. Im Jahr darauf wurde sie zur Chefin der Drehbuch-Abteilung befördert.
June Mathis at desk. Courtesy of the New York Public Library. Mathis was one of several prolific women screenwriters of the silent era, in a group that included Frances Marion, Bess Meredyth, Anita Loos, and Jeanie Macpherson. Like many of her female colleagues, she worked not in splendid isolation but in tandem with others.
Writer: Greed. June Mathis was born June Beulah Hughes in 1887 in Leadville, Colorado. Her father died at a young age and her mother married William Mathis. She grew up in Salt Lake City, Utah, which she would proudly consider her hometown for the rest of her life. At the age of 13 she pursued a career in vaudeville, doing imitations and dances.
23. Apr. 2024 · June Mathis was an American scriptwriter, who helped establish the primacy of the script in American silent films. June Hughes adopted her stepfather’s surname, Mathis. After a brief career as a stage actress and scriptwriting work on several films in 1917, Mathis was hired in 1918 by Metro (later
26. Juli 2020 · Remembering June Mathis on the anniversary of her death. A great and true friend to Rudolph Valentino. Set photos and film clips from "Eyes of Youth" (1919),...
20. Okt. 2021 · Dr. Rosanne Welch. Oct 20, 2021. Though she wrote over 100 films in the Silent Era and was a founding member of the Academy of Motion Picture Arts and Sciences, June Mathis appears in film history books (when she does) as a writer-producer with an eye for talent in that she gave both Buster Keaton and Rudolph Valentino their debuts on film.
