1992
Suchergebnisse
Suchergebnisse:
Miles of Aisles Livealbum von Joni Mitchell; Veröffent-lichung(en) 1974. Aufnahme 1974 Label(s) Asylum Records: Format(e) LP, CD Genre(s) Folk, Jazz. Titel (Anzahl) 18 Länge. 78:01 Besetzung Gesang, Gitarre, Piano: Joni Mitchell; Schlagzeug: John Guerin; E-Bass: Max Bennett; E-Gitarre: Robben Ford; Produktion. Joni Mitchell ...
- 1974
- Asylum Records
- LP, CD
- 1974
Robben Ford – electric guitar; Larry Nash – piano; Max Bennett – bass; John Guerin – drums, percussion; Technical. Henry Lewy – sound engineer, mixing; Ken Caillat – Live Tracking engineer (for Wally Heiders) Anthony Hudson – art direction; Mobile Recording: Wally Heider Recording, Ken Caillat; with Jack Crymes, Biff ...
- Joni Mitchell
- November 1974
- March 2 and 4, 1974; August 14–17, 1974
- Jazz, rock, pop
Robben Lee Ford (born December 16, 1951) [1] is an American blues, jazz, and rock guitarist. [2] . He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton, Rick Springfield, Little Feat, and Kiss.
Later that year, when 'Miles of Aisles' was released I went out and bought a copy right away. I found it very cool that the cover depicted Merriweather in all its glory. But even more amazing was the back gatefold cover, where it appears that while I was listening to the sound check, Joni was behind me taking photos. And right down there in the front are two lone figures, checking out the ...
Robben Lee Ford (* 16. Dezember 1951 in Woodlake , Kalifornien ) ist ein US-amerikanischer Blues -, Jazz - und Rockgitarrist . International bekannt wurde er sowohl als Solokünstler als auch durch zahlreiche Projekte mit Chick Corea , Miles Davis , B. B. King , Joni Mitchell und Kiss .
The live double album, Miles of Aisles, immortalizes these six months of harmony between progressive folk and electric jazz. Robben Ford fondly remembers this tour, and places Joni Mitchell “at the same level of eclecticism and breadth of spirit as a John Coltrane or a Miles Davis” (Uncut, number 199).
Even "Woodstock," which is now something of a hoary hippy anthem, gets a clever revitalization through Robben Ford's biting guitar work that constructs a personality of its own as the concert builds. Most of the new readings are superb.
