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  1. Benjamin Francis „BenWebster (* 27. März 1909 in Kansas City, Missouri; † 20. September 1973 in Amsterdam, Niederlande) war ein US-amerikanischer Tenorsaxophonist des Jazz, der gelegentlich auch Piano und Klarinette spielte. Er wird ähnlich wie Coleman Hawkins und Lester Young als einer der großen Tenorsaxophonisten der Swing -Epoche angesehen.

  2. en.wikipedia.org › wiki › Ben_WebsterBen Webster - Wikipedia

    Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. [1] Career. Early life and career. A native of Kansas City, Missouri, [1] he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. [2] .

  3. en.wikipedia.org › wiki › SoulvilleSoulville - Wikipedia

    Soulville is a 1957 album by swing tenor saxophonist Ben Webster, recording a session from October 15, 1957, which Webster played with the Oscar Peterson Trio.

  4. King of the Tenors is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1953 for the Norgran label and originally released as The Consummate Artistry of Ben Webster (MGN 1001).

    • May 21, 1953, December 8, 1953
    • Jazz
  5. 27. Juni 2019 · Ben(jamin Francis) Webster was born in Kansas City, MO on March 27, 1909. In elementary school he studied violin and taught himself piano, inspired by the nearby living Pete Johnson who taught him to play the blues.

    • Ben Webster
  6. 23. März 2024 · Ben Webster (born March 27, 1909, Kansas City, Mo., U.S.—died Sept. 20, 1973, Amsterdam, Neth.) was an American jazz musician, considered one of the most distinctive of his generation, noted for the beauty of his tenor saxophone tone and for his melodic inventiveness.

  7. nationaljazzarchive.org.uk › interviews › 1635310-ben-websterBen Webster - National Jazz Archive

    Ben Webster (1909–73) Born in Kansas City as Benjamin Francis Webster, and originally influenced stylistically by Coleman Hawkins, Webster was one of the most distinctive stylists on tenor saxophone in jazz history. As a mature soloist, with his huge, bullying, sometimes rasping tone in up-tempo performances, and a tender, breathy lyricism on ...