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  1. 18. Juni 2020 · Diana Ross Greatest Hits - Best Songs Of Diana Ross - Diana Ross Sweet Soul Music [ 00:00:00] - 01. Endless Love [ 00:04:21] - 02. I'm Coming Out [ 00:06:31] - 03. Ain't No Mountain...

    • 85 Min.
    • 48,9K
    • Soul - Jazz - Blues Music
  2. Diana Ross' Greatest Hits is a compilation album by American singer Diana Ross. It was released by Motown Records on July 12, 1976 in the United States. In the United Kingdom and certain other territories the album was released under the title Greatest Hits 2 since a similar compilation, Greatest Hits, had already been released in 1972.

    • July 12, 1976
  3. 29. Jan. 2021 · Share your videos with friends, family, and the world

  4. 6. Sept. 2017 · Diana Ross Greatest Hits- Diana Ross Best Songs. jazz Songs. 20.9K subscribers. Subscribed. 13K. 1.4M views 6 years ago. Diana Ross Greatest Hits- Diana Ross Best Songs...

    • 69 Min.
    • 1,5M
    • jazz Songs
    • You’Re A Special Part of Me
    • Muscles
    • Pops, We Love You
    • It’S My Turn
    • The Boss
    • Remember Me
    • Good Morning Heartache
    • Why Do Fools Fall in Love
    • It’S My House
    • Missing You

    In between Marvin Gaye’s celebrated stint with Tammi Terrell and Diana Ross’s chart-topping duet with Lionel Richie, the two Motown stars teamed up to record a song about pure, unadulterated warmth and affection as the key single from their 1973 album Diana & Marvin.

    Ross’s answer to Olivia Newton-John’s Physical is a campy celebration of beefcake – and gave her fans LGBT and straight something slinky to groove to in the post-disco era.

    A Motown family reunion. Ross teams up with Gaye, Smokey Robinson and Stevie Wonder to pay tribute to Berry Gordy Sr, father of the founder of the record label that changed their lives – and the world. On this breezy, backyard barbecue ode to her roots, Ross and her superstar friends – all of whom had by now flown from Gordy’s enterprise – reunite ...

    On the theme song to the Jill Clayburgh/Michael Douglas romantic comedy, Ross voiced the longings of Clayburgh’s unfulfilled maths professor protagonist as she pursues an affair and then her independence. “It’s my turn,” proclaims our diva, “this time’s just for me.” It’s white middle-class feminism in the age of Kramer vs Kramersounded out, ironic...

    Love may save the day on the disco dancefloor, but Ross declares (on a track that would turn into a calling card) that love is capable of upending even a superwoman’s know-it-all stance. Less a confession of weakness and more an invitation to let go and fall into joy, The Boss takes delight in the world’s ability to surprise.

    Taken from her superb 1971 album Surrender, written and produced by her longterm collaborators Ashford and Simpson, Remember Me is arguably the Ross single most resonant of the Supremes’ heartbreak hits such as Where Did Our Love Go? and My World Is Empty Without You. Remember Me invokes classic Ross tropes of love lost and “reflections of the way ...

    Ross’s reading of Lady Day’s 1946 classic sums up the complexity of her critically acclaimed and history-making portrayal of Billie Holiday in the 1972 biopic Lady Sings the Blues. Rather than deliver an impersonation, Ross captures the emotion and energy of Holiday’s lament with measure and care. It’s a sonic love letter from one brilliant artist ...

    From her first self-produced album of the same name, this Frankie Lymon and the Teenagers cover pays tribute to early pioneers of rock’n’roll, the black doo-wop groups led by teen dreamers who kicked some heavy falsetto. Effervescent and nostalgic, Ross embraced old school playfulness as the flipside to her 80s persona – a grown-ass fashionista.

    Before Janet Jackson sang about control, before Beyoncé declared that she might be the “black Bill Gates”, Ross was laying out tracks that assertively stated that she ran things. Yet her take on black women’s social agency is wrapped gingerly in a seduction narrative, a come-on track that invites a lover to enter into a candlelit space of her own d...

    After Gaye was killed at the hands of his own father, Ross channelled her devastation into a melancholic ballad that charts the shock and disorientation of the Motown community who grew up with him and adored him. She asks the universe: “Tell me why the road turns?” It’s a moving expression of the senselessness of loss.

    • 4 Min.
    • Daphne A Brooks
  5. Enjoy the best of Diana Ross and The Supremes in this playlist of their greatest hits, featuring official albums, singles, videos and live performances.

  6. Diana Ross Greatest Hits. Playlist • Olivia Clarke • 2021. 1.3M views • 24 tracks • 1+ hours. Diana Ross: Ain't No Mountain High Enough (Ashford / Simpson), 1970 -...