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  1. Vor 3 Tagen · No jazz musician of the past 60 years has more palpably channeled the sound of Charlie Parker than alto saxophonist Charles McPherson. Jazziz Alto saxophonist and bebop legend Charles McPherson celebrates the release of his new Smoke Sessions album, Reverence, with his quintet featuring trumpeter Terell Stafford, pianist Jeb Patton, bassist Peter Washington, and drummer Billy Drummond. One of ...

  2. 7. Apr. 2024 · Rather than emulate the busy, wailing style of such bebop pioneers as Gillespie, Davis explored the trumpet’s middle register, experimenting with harmonies and rhythms and varying the phrasing of his improvisations. With the occasional exception of multinote flurries, his melodic style was direct and unornamented, based on quarter notes and rich with inflections. The deliberation, pacing ...

  3. 13. Apr. 2024 · Les grands noms du jazz : Ella Fitzgerald (1917-1996), la diva du jazz, reine du « scat ». Tous les quinze jours le samedi, retrouvez les portraits, petites et grandes histoires des musiciens ...

  4. 15. Apr. 2024 · List of jazz contrafacts. A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was ...

  5. 12. Apr. 2024 · 3.) comping replaced stride style. 4.) drummers played timekeeping rhythms on suspended cymbal. 5.) surprise highly valued. how did bebop drumming style differ from swing? 1.) more frequently kicked and prodded the soloist. 2.) moved away from heavy timekeeping. 3.) feathered bass drum. 4.) kept time on ride cymbal. 5.) snapped shut the high ...

  6. ianhutchison.bandcamp.com › track › be-bopBe-Bop | Ian Hutchison

    Vor einem Tag · Be-Bop by Ian Hutchison, released 26 April 2024

  7. 2. Apr. 2024 · Before long, he would link up with trumpeter Dizzy Gillespie, then the face of an exciting new style called bebop. Gillespie was looking for a way to enliven the rhythmic component of his world-famous jazz orchestra, and Pozo proved to be just the thing. The orchestra — featuring Pozo on congas — recorded the tune “Manteca” later that ...