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  1. de.wikipedia.org › wiki › Kid_OryKid Ory – Wikipedia

    Edward „KidOry (* 25. Dezember 1886 in LaPlace, Louisiana; † 23. Januar 1973 auf Hawaii, beigesetzt in New Orleans) war ein US-amerikanischer Jazz - Posaunist und Bandleader. Inhaltsverzeichnis. 1 Leben und Wirken. 2 Sammlung. 3 Wichtige Kompositionen. 4 Literatur. 5 Weblinks. Leben und Wirken.

  2. en.wikipedia.org › wiki › Kid_OryKid Ory - Wikipedia

    Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz .

  3. 29. März 2024 · Kid Ory (born Dec. 25, 1886, Laplace, La., U.S.—died Jan. 23, 1973, Honolulu, Hawaii) was an American trombonist and composer who was perhaps the first musician to codify, purely by precept, the role of the trombone in classic three-part contrapuntal jazz improvisation.

    • The Editors of Encyclopaedia Britannica
  4. Songwriter (s) Composer: Kid Ory. Lyricist: Ray Gilbert. " Muskrat Ramble " is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. [1]

    • 1926
  5. By Hal Smith. Kid Ory, 1960's. Lawless, Ed. Edward 'Kid' Ory, trombone. b. LaPlace, LA December 25, 1886 d. Honolulu, HI January 23, 1973. In 1900, 13-year-old Edward Ory was visiting his sister in New Orleans. He had just bought a valve trombone from Werlein’s Music and was trying it out when a passerby heard the music and knocked on the door.

  6. 64parishes.org › entry › kid-oryKid Ory | 64 Parishes

    25. Nov. 2022 · Trombonist and bandleader Kid Ory, a pioneer of the traditional New Orleans jazz style, played a key role in the New Orleans Revival of the 1940s.

  7. 1. Nov. 2017 · November 1, 2017. Profiles In Jazz. Before the rise of Miff Mole, Jimmy Harrison, and especially Jack Teagarden in the late 1920s, Edward “KidOry was the most important influence on other jazz trombonists. His “tailgate” style featured him using his horn to play rhythmic bass lines and harmonies in the front line of ...