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  1. Sources of the Self: The Making of the Modern Identity is a work of philosophy by Charles Taylor, published in 1989 by Harvard University Press. It is an attempt to articulate and to write a history of the "modern identity".

    • R. A. Sharpe, Charles Taylor
    • 624
    • 1989
    • 1989
  2. Charles Taylor’s Sources of the Self has at least two objectives. On the one hand, it traces the historical sources of the modern understanding of selfhood. On the other hand, and perhaps more important, Sources of the Self aims to contribute to the reconstruction of that same under-standing of selfhood. Specifically, it promotes the view ...

  3. 1. März 2012 · This chapter reviews the book Sources of the Self: The Making of the Modern Identity (1989), by Charles Taylor. Taylor describes his project as “an attempt to articulate and write a history of the modern identity”—that is, of “the ensemble of (largely unarticulated) understandings of what it is to be a human agent” that ...

  4. 22. Nov. 2020 · Die in Sources of the Self formulierte Kritik am neuzeitlichen Individualismus, Utilitarismus oder der prozeduralen Ethik führte innerhalb der Philosophie, Theologie, Sozial-, Politik- und Humanwissenschaften zu Diskussionen, die im weitesten Sinne im Kontext einer inhaltlichen oder substantiellen Theorie des Guten geführt werden.

  5. Sources of the Selfmeticulous, subtle, and clearly articulated—is a magisterial study of the history of ideas which affirms the human necessity of strong (moral) evaluation, and which ...

  6. All of these sources of the modern identity, though they may conflict among themselves in various respects, have produced (at least potentially) an understanding of the self and its moral position that has many attractive qualities. For example, there is the democratic levelling tendency in much

  7. This chapter reviews Charles Taylor’s Sources of the Self. The book displays Taylor’s mastery not only of the history of philosophy, but of theology, poetry, and art. He also shares Georg Wilhelm Friedrich Hegel’s commitment to synthesizing competing and conflicting elements of the culture.