2017
Suchergebnisse
Suchergebnisse:
Vor 4 Tagen · Bill Wyman’s Rhythm Kings Anyway the Wind Blows als Gitarrist auf dem Lied Gee Baby: Ronnie Lane April Fool als Gitarrist auf dem Album tätig: 2000 Jimmy Page: Hip Young Guitar Slinger Gitarrist und Sänger auf acht Kompositionen: 2001 Various Artists Tommy: Original Soundtrack Recording Gitarre und Gesang auf Eyesight to the Blind
Vor 4 Tagen · Yes - Yes Magic (Los Angeles, CA 1997) Yes at the Universal Amphitheatre in Los Angeles, CA on December 7, 1997. This concert was part of a second leg of the Open Your Eyes Tour with new band members after some previous conflicts that around July led to the cancellation of its first part. Great concert with magnificent sound, made for later ...
Vor 4 Tagen · Double Bill: Bill Wyman's Rhythm Kings: Slide guitar on "Love Letters" 2001 Living on the Outside: Jim Capaldi Slide guitar on "Anna Julia" 2001 Small World, Big Band: Jools Holland's Rhythm and Blues Orchestra: Vocals on "Horse to the Water" (Harrison's final recording) 2006 "This Guitar (Can't Keep from Crying)" (Platinum Weird version)
Vor 3 Tagen · Bill Wyman’s Rhythm Kings 2011; Bill Wyman’s Rhythm Kings 2013; Bob Dylan – 2022; Bob Dylan 2002; Bob Dylan 2006; Bob Dylan 2017; Bonnie Raitt, Hyde Park 2018; Brian Wilson; BSO: Coming to America; BSO: Seeta’s Rite; BSO: Triumphal Elgar; Carole King – Hyde Park; Chris Rea; Chuck Prophet & Stephanie Finch; Cliff Richard 2018; Crosby ...
Vor 4 Tagen · Bill Wyman’s bassline provides a solid rhythmic foundation, driving the groove forward with a pulsating beat. Charlie Watts’ drumming is both steady and dynamic, propelling the song with its infectious energy.
Vor 2 Tagen · When during the recording session Bill Wyman started following around on an organ with a spoof of music played at Jewish weddings, Charlie Watts joined in, improvising the double-time drum pattern, echoing the rhythm heard in some Middle Eastern dances.
Vor 3 Tagen · Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, [1] which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western ...
