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The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode .
- Non-fiction
- Concept Publishing Co.
- 252 pp.
- George Russell
Concept. There is no “goal pressure” within the tonal gravity field of a Lydian Scale. The Lydian Scale exists as a self-organized Unity in relations to its tonic tone and tonic major chord. The Lydian Scale implies an evolution to higher levels of tonal organization. The Lydian Scale is the true scale of tonal unity and the scale which ...
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george russell's lydian chromatic concept of tonal organization, first described in a self-published pamphlet in 1953, marks a radical expansion of the harmonic language for both composition and analysis and also marks an abandonment of the major-minor system which dominated Western music for over 350 years.
The Lydian Chromatic Concept of Tonal Organization (LCCOTO) is a way of viewing music that continues to evolve from the first publication fifty years ago; we hope to assist and support that evolution. To purchase LCCOTO Vol.1 The Art And Science Of Tonal Gravity, click here.
12. Aug. 2021 · In George Russell's The Lydian Chromatic Concept of Tonal Organization, he introduces the notion of "horizontal scales": They are horizontal because they include the fourth degree in their structure (B♭ in the F Lydian Chromatic Scale). (p. 17) This is in contrast to vertical scales, which include the Lydian B♮.
1. Nov. 2023 · George Russell conceptualized his Lydian Chromatic Concept of Tonal Organization as a theory of tonality. He includes an analysis of the opening of Maurice Ravel’s “Forlane” from Le Tombeau de Couperin in the fourth and final edition of his text to demonstrate what his theory—“The Concept”—offers for the analysis of ...
Lydian Chromatic Concept of Tonal Organization inspired the understanding and implication of chord-scale harmonic theory, which to this day is still predominantly used in the education of the jazz idiom.
